Daniel Romano at The Burl
THIS EVENT IS 18 AND OVER
Romano’s new effort Finally Free could stand alone as being pivotal if it were only its profound and breathtaking prose on paper. Writing now like an agnostic Whitman in his prime, Romano explores and uncovers new language and meaning for old sentiments grown tired, stating, “these poems are most certainly my finest and most principled ef orts to date.” Finally Free sings like a radical revelation, exploring the concepts of music as a celestial being, flora as a consequential
ancestor and singing, no matter its quality or sound, as the end most important output of our species. This record contains a vivid religious articulation despite its clear condemnation of a
God as a singular ruling white male. New words have replaced old words for new meaning and the definitions have been left up to interpretation. It seems safe to say that Romano has broken the literary soil hard and ferociously to find the remaining repose in our current “danse macabre.”
This masterful record could easily transfix listeners if it were merely a collection of beautifully arranged and recorded instrumentals. Romano told me this record was recorded with one single microphone in “sitting vocal position”. He went on to say “I wrote the songs as I recorded them
and I had a guitar amplifier to my right and a bass amplifier to my left. The drums were behind me and my chair in the middle. The microphone never moved no matter what instrument I was recording and the preamp settings never changed. I basically mixed the room instead of the individual tracks.” Finally Free was recorded on a 4 track Tascam cassette
recorder. This means Romano was making constant stream of consciousness commitments to everything that was being recorded in order to bounce them down to stereo and free up tracks for additional elements. A method virtually unused by his peers. “On every record I make strict
limitations for myself. This was by far the most extreme, but I also believe it has rendered the
most honest and liberating results.” Romano, no matter how many times I asked, wouldn’t
disclose what microphone was used.
Overall, this record harks back to Romano’s early studies and obsessions in traditional folk
music while simultaneously conveying a surprisingly modern and engaging aesthetic. Dense
with new wisdom and blissfully encouraging in these end times.
Finally Free is available everywhere worth going November, 30th, 2018 on You’ve Changed
Records in Canada and New West Records everywhere else